Field Notes

Timothée Chalamet and Taylor Russell face each other closely, touching foreheads in an intimate moment outdoors during sunset.

The Movement of Meaning

Film, to me, is about how something looks, moves and breathes over time. The films I return to aren’t confined to one genre. They capture chaos and control, intimacy and scale, obsession and restraint, sometimes all at once.

Some reflect the weight of impossible choices, like Interstellar and Avengers: Infinity War. Others lean into excess and unraveling, like The Wolf of Wall Street, Uncut Gems, and Fear and Loathing in Las Vegas. Some feel grounded in something more human, like La La Land, the closeness of friendship in Snack Shack or the stillness and connection found in Bones and All.

There are stories shaped by legacy and consequence, like Killers of the Flower Moon and Les Misérables, and others driven by resilience, loyalty and the pull to keep going, like Top Gun: Maverick and Harry Potter and the Deathly Hallows – Part 2.

Some are expansive. Some are controlled. Others unravel completely. But all of them understand something essential about being human.

  • Avengers: Infinity War

  • Bones and All

  • Fear and Loathing in Las Vegas

  • Harry Potter and the Deathly Hallows Part 2

  • Interstellar

  • Killers of the Flower Moon

  • La La Land

  • Les Misérables

  • Snack Shack

  • Top Gun: Maverick

  • Uncut Gems

  • The Wolf of Wall Street

The Endurance nears the  event horizon of a supermassive black hole.

The Weight of Words

Books, to me, feel more reflective and patient.

They create space to sit with a feeling, to move through it and return to it, until it begins to take shape. The ones I come back to are studies of emotion, memory and connection. They don’t demand attention. They earn it over time.

Some explore the language of feeling itself, like Atlas of the Heart, giving structure to emotions we often struggle to name. Others hold the ache of love and timing, like The Seven Year Slip, People We Meet on Vacation and The Unhoneymooners.

Some carry a deeper sense of longing and loss, like The Fault in Our Stars and Where the Crawdads Sing. Others reflect identity and illusion, like The Great Gatsby.

And then there are stories that feel more atmospheric and distant, but just as human, like Our Wives Under the Sea.

Even in lighter moments, like Beach Read and Meant to Be, there’s still an undercurrent of reflection on love, expectation and the lives we imagine for ourselves.

  • Atlas of the Heart

  • Beach Read

  • The Fault in Our Stars

  • The Great Gatsby

  • Meant to Be

  • Our Wives Under the Sea

  • People We Meet on Vacation

  • The Seven Year Slip

  • The Unhoneymooners

  • Where the Crawdads Sing

Emily Giffin's Meant to Be lays on a coffee table.

My Story

Field Notes is a reflection of the stories that stay with me for how they feel and what they reveal over time. Each one holds a piece of something real, shaping the way I see, understand and move through the world.